Gold Award

Allen John

RAN · 亂 - Hunting through the tall summer-grass

 

RAN · 亂 - Wild boar hides itself in the bushes

 

RAN · 亂 - The great lord, Hidetora Ichimonji

 

RAN · 亂 - First castle

 

RAN · 亂 - Where the arrow comes from

 

RAN · 亂 - Hidetora is standing on the upper story with a bow in his other hand

 

RAN · 亂 - Hidetora opens the window and looks down

 

RAN · 亂 - The spear brigade rushes for the gate, at the head of the ranks, mounted, is Jiro

 

RAN · 亂 - The mad Hidetora goes staggering down the slope

 

RAN · 亂 - Jiro gazes at Hidetora from behind, then runs spontaneously after him

 

used art supplies or application soft

Scratchboard, Gravur Engraver Pen, Craft Knife, EPSON Expression 12000XL Scanner, Adobe Lightroom cc 2017, Adobe Photoshop cc 2017

Artist comments

Japanese warlord Hidetora Ichimonji decides the time has come to retire and divide his fiefdom among his three sons.
His eldest and middle sons - Taro and Jiro - agree with his decision and promise to support him for his remaining days.
The youngest son Saburo disagrees with all of them arguing that there is little likelihood the three brothers will remain united.
Insulted by his son's brashness, the warlord banishes Saburo.
As the warlord begins his retirement, he quickly realizes that his two eldest sons selfish and have no intention of keeping their promises.
It leads to war and only banished Saburo can possibly save him.
“Ran·亂” is a literary Illustration series, based on the film of the same name by Akira Kurosawa.
As I watched this film to the end, I had an unconscious idea - through illustration to interpret the bushido spirit, the cruelty of war, and the circle of destiny in the story.
Inspired also by Hans Hillmann’s book “Fliegenpapier”, I decided to represent this story as an interactive illustration in a combination of drawing and sounds. Website: https://jiangailun.com/ran-2019

 

 審査員評

Outstanding artworks that shows superb technical skills as well as a mastery in the use of composition and personal illustration style.
The entire serie convey an easy reading even without words and I love the wonderful and emotional atmosphere he creates with the using of only red and dark tones.

Sara Ugolotti


The detail is amazing, the accuracy of lightning and textures makes your work a solid winner.
Congratulations!!

Male Cuellar


Allen's masterful craftsmanship of a classic woodcut style brings to life scenes of history.
The dark black and white hatching, combined with red accents, lends a gritty, textured feeling to both the artwork, and the narrative it's portraying.

Steve Argyle


名作時代劇映画を彷彿とさせるワンシーン、ワンカットが連続して次々に登場し、侍達が交わす切迫した会話や合戦のざわめきが聞こえてくるようです。
昨今、鉛筆やペン等を用いて繊細な筆致でリアルな世界を描いた単色の作品を目にする機会は増えましたが、そんな中でこの一連の作風は個性もあり、煉し金の如き重厚な魅力で目を奪います。
モノクロームの画面の中に突如、現れる真紅の血痕や猛火が恐ろしい迄に画面に激烈なインパクトを与えています。

増本大二郎


まずは描き込みの凄さに圧倒された。
モノクロで細かく描き込まれており力強さを感じる。
部分的に赤を使うことで、より印象的な作品になった。

蟹江隆広


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